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A blue-roofed church and its neighboring houses sit behind an orange autumn tree, under a sky of swirling yellow and teal strokes. In the foreground, a patch of dark ochre and navy daubs forms a mound, and two small framed squares with green tufts hide the finder squares. The code's modules are carried by those clustered dark brushmarks against the pale, streaked field around them. Heavy, directional paint strokes keep the contrast between dark and light marks clear across the slope.
